PURE printmaking

Charlotte Road   |   Group Exhibition   |   06.12.07 - 05.01.08

W.S.D
Ryan McClelland, 2007
Relief print on Japanese paper
125 x 90 cm
Edition of 3
Green Woods (detail)
Francisco Lobo, 2007
Woodcut print on Japanese paper: Four piece composite
143.5 x 360 cm
Edition of 10
In The Snowy Valley
Mathew Newton, 2007
Screenprint
34 x 46 cm
Edition of 6
Sunset Picture
Francisco Lobo, 2007
Screenprint on Japanese paper
83 x 61 cm
Edition of 15
Parenting
Mathew Newton, 2007
Linocut
32 x 32 cm
Edition of 10
The Present is the Future of Yesterday
Shawn Stucky, 2007
Sreenprint
44.45 x 57.15 cm
Edition of 1
She will come into your Heart
Shawn Stucky, 2007
Sreenprint
57.15 x 44.45 cm
Edition of 20
Red Square I
Lesley Davy, 2006
Etching with blind embossing
14.5 x 21.5 cm
Edition of 20
Score V
Lesley Davy, 2005
Multi plate etching with blind embossing
20 x 24 cm
Edition of 20
Tarmac Sunset
Ryan McClelland, 2007
Relief print
50 x 35 cm
Edition of 20
The Fear
Ryan McClelland, 2007
Relief print
120 x 80 cm
Edition of 3
Disappointment - Secrets Series
Shona Davies, 2007
Aquatint etching
20 x 20 cm
Edition of 6
Indulgence - Secrets Series
Shona Davies, 2007
Aquatint etching
20 x 20 cm
Edition of 6
Mafia - Ways of Dying Series
Shona Davies, 2007
Aquatint etching
23 x 29 cm
Edition of 2

FERREIRA PROJECTS would like to announce PURE; an exhibition series of contemporary art, that showcases art in its purest form; art where the prominence is given to the aesthetic rather than the theoretic, the experiential rather than the conceptual and play before pretension. These exhibitions aim to provide highly accessible, contemporary work, which the widest possible audience can appreciate, engage with and enjoy.

The series consists of five, media based, exhibitions; PURE_printmaking, PURE_drawing+illustration, PURE_painting, PURE_photography and PURE_mixed media, each featuring a different group of talented emerging artists.

The series offers an opportunity for artists to focus their energies on formal and visual considerations, to engage and experiment with their chosen media and take a step back from a conceptual standpoint. The exhibitions similarly allow the viewer the chance to rely on their own aesthetic judgement or taste when considering the work, by shifting the emphasis away from the concept.

For PURE_printmaking, the first in the series, participating artists Shona Davies, Lesley Davy, Francisco Lobo, Ryan McClelland, Mathew Newton and Shawn Stucky, have fully exploited the numerous forms of printmaking. The result is an eclectic exhibition of etchings, composite silk-screens, graphic woodcuts and intricate lithographs, in editions no higher than 20.

The exhibition is a provocative assemblage of work, which celebrates the multifariousness of print and its ability to mediate the energy of the mark. Each artist utilises; light, form, colour, scale, mark-making, construction and craft to introduce the viewer to their own unique aesthetic world; collectively, however, the image they print is of universal anxiety in a postmodern dystopia.